Joe Allen's

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Archives

Volume XIV: The Numero Group’s Labyrinthian Long Tail
Volume XIII: Clothesline Revival’s View of a Century
Volume XII: The Soul Of Hank Shocklee
Unpublished: An Open Letter to Rick Rubin
Volume XI: "All Debts Must Be Paid": Alan Moore, Umberto Eco, and the Nature of Appropriation
Volume X: Online Archives

Unpublished Kahle v. Ashcroft
Volume IX: The Future of Collecting
Volume VIII: Record Collecting in the Lost Provinces (with Marshall Wyatt)
Volume VII: In the Basement at 78 RPM (Joe Bussard)
Volume VI: Accessing the Past in Eldred v. Ashcroft (parts 1 and 2)
Volume V: A Review of Texts
Volume IV: 50 x Sampling Remixed by Lowell Butler
Volume IV: 50 x Sampling (John Oswald Plundered)
Volume III: Transformative Fair Use (with Negativland)
Volume II: "If God were a DJ, He'd be Harry Smith"
Volume I

 

from To The Quick

Backspinning Signifying: Hip Hop Loops, Beats, and Samples

from Mississinewa Press (1997)

"He's the DJ, I'm the Turntablist": The Progressive Art of Hip Hop DJs

   

 

 
Joe Allen, Ph.D.
Dutchess Community College
Department of English and Humanities
allen@sunydutchess.edu